Public Art

Public Art Initiative

Extending beyond the white cube, Thota Vaikuntam’s works enter the public realm to meet audiences in motion.

You are your own creator. You can’t base yourself on others. It has to come from within you.

Thota Vaikuntam

Hyderabad

In the artist’s home region of Telangana, key installations in Hyderabad, at Rajiv Gandhi International Airport and HITEC City, offer moments of cultural pause within corridors of transit and innovation.

Thota Vaikuntam beside his monumental painted fibreglass head of a Telangana woman, garlanded and cordoned by a red rope at the foot of a staircase inside Rajiv Gandhi International Airport, Hyderabad

Rajiv Gandhi International Airport

Public art, a profound medium of expression and cultural engagement, remains largely absent in India despite its rich artistic heritage. The Public Art Initiative brings art into the country’s urban landscapes, creating accessible, engaging encounters for the general public and turning everyday environments into vibrant cultural spaces.

Three-quarter view of a monumental painted fibreglass head of a Telangana woman by Thota Vaikuntam with a gold nose ring, hooped earrings and green choker, installed in a lobby at HITEC City, Hyderabad

HITEC City

New Delhi

In New Delhi, the initiative continues at the Shangri-La, Bikaner House, The Chanakya Mall and within the VIP Lounge, Terminal 1, Indira Gandhi International Airport.

Frontal view of a monumental painted fibreglass head of a Telangana woman by Thota Vaikuntam with a red bindi and nose ring, on a white plinth with a Thota Vaikuntam plaque, in the lobby of Shangri-La Eros, New Delhi

Shangri-La Eros

Lobby

Public art is a powerful means of communication. It transcends language, connects with people on a personal level and shapes the cultural identity of a place, creating landmarks that carry a community’s history and values.

Grey fibreglass head by Thota Vaikuntam set against clipped hedges beside the porte-cochère of Shangri-La Eros, New Delhi, with a black car in the foreground

Shangri-La Eros

Entrance

Monumental painted fibreglass head of a Telangana woman by Thota Vaikuntam, silver-grey face with an orange turban and red bindi, lit at night on a white plinth on the lawns of Bikaner House, New Delhi

Bikaner House

By placing art in the public domain, the initiative democratises access to cultural experiences. Art is no longer confined to galleries and museums but available to everyone, regardless of background, bridging the gap between artists and the public.

Monumental painted fibreglass head of a Telangana woman by Thota Vaikuntam with a green choker on a white plinth bearing a Thota Vaikuntam plaque, inside The Chanakya, New Delhi

The Chanakya

Monumental painted fibreglass head of a Telangana woman by Thota Vaikuntam with a gold nose ring and yellow-and-orange face on a red-topped plinth in the VIP Lounge, Terminal 1, Indira Gandhi International Airport, New Delhi

VIP Lounge, Terminal 1, Indira Gandhi International Airport

Amritsar

In Amritsar, the initiative reaches Welcomhotel by ITC Hotels, where Vaikuntam’s standing figure forms the second station of the Heritage Walk, a route of three monumental sculptures across the sacred city.

Thota Vaikuntam’s standing figure of a Telangana woman playing the flute, in a red sari with green bangles, cordoned by a red rope at Welcomhotel by ITC Hotels, Amritsar

Welcomhotel by ITC Hotels

Together, these placements carry Vaikuntam’s vivid Telangana iconography into the everyday, through the rhythms of travel, hospitality and work, so that his timeless figures are encountered not only in galleries but across the living fabric of the city.

April – December 2026

Heritage Walk, Amritsar

Three Stations. Three Artists. One City.

Three monumental sculptures by three of India’s most celebrated artists, installed across the sacred city.

From the Partition Museum to Le Méridien, this walk threads through Amritsar’s most resonant spaces, pausing at each station to encounter a sculpture that speaks to the city’s layered identity. Memory, rootedness, and transformation: three meditations on what it means to belong, to endure, and to reimagine.

Heritage Walk, Amritsar